
Wilmer Kaye
(b.1952)
Wilmer Kaye is a highly reputed katsina carver, one of the most recognizable names in that category of Indian art, and a veteran award-winner. He is known for the perfection of his carvings, which he has been doing since his teens. One of his uncles was the legendary Hopi jewelry artist, Charles Loloma.
Using only a pocket knife for his carving, Wilmer works on only one figure at a time, unlike some other carvers. The katsinas are embellished with paint and/or stain, and finally rubbed with linseed oil, to protect the wood and bring out the grain.
Source: Wright’s Gallery
Bean Dance Katsina
Artist: Wilmer Kaye (b.1952)
Description: Cottonwood Tree Root (1996) | Dimensions: 30”h x 12”w x 12”dkatsina
February is the Hopi lunar month of Powamuya in which one of the most important cultural events occurs, the sixteen-day Bean Dance Ceremonial. Kiva-germinated bean sprouts are distributed to villagers throughout by participating katsinam. And though the Ogre katsina threaten the children for misbehavior, they do so in a humorous way; gifts are also handed out to them.
This Bean Dance Katsina is an expressive representation of the activities and participants of this all important ceremony. It was exhibited by the artist, Wilmer Kaye, at the 1996 Santa Fe Indian Market and purchased by Eddie Basha for the collection at that time.Salako & Crow Mother
Artist: Wilmer Kaye (b.1952)
Description: Cottonwood Root (1995) | Dimensions: 54"h x 20"w x 17"dkatsina
Wilmer Kaye’s predilection for carving sculptural dolls rather than fully detailed ones is certainly revealed here. Standing 55” tall and carved from cottonwood root, this 1995 Santa Fe Indian Market awarding winner with thirty-nine katsinas is a harmonious dance of grace, elegance and sophistication. Katsinas appear to rise up from the kiva at the base and culminate with a Crow Mother, a figure of great dignity, and a Hemis Katsina, one of the most beautiful and best known of all Hopi katsinas, at its two peaks. And between there are Mudheads, Long Hairs, Hano Manas, and more.
At thirteen years old, Wilmer’s apprenticeship began while watching his uncle Willard Loloma and others carve. After high school, Willard worked construction while he perfected his craft. Nowadays, he’s up with the sun and frequently spends his entire day carving. We are quite certain Willard spent many days carving this masterpiece.Katsinas
Artist: Wilmer Kaye (b.1952)
katsina

February is the Hopi lunar month of Powamuya in which one of the most important cultural events occurs, the sixteen-day Bean Dance Ceremonial. Kiva-germinated bean sprouts are distributed to villagers throughout by participating katsinam. And though the Ogre katsina threaten the children for misbehavior, they do so in a humorous way; gifts are also handed out to them.
This Bean Dance Katsina is an expressive representation of the activities and participants of this all important ceremony. It was exhibited by the artist, Wilmer Kaye, at the 1996 Santa Fe Indian Market and purchased by Eddie Basha for the collection at that time.
Bean Dance Katsina
Artist: Wilmer Kaye (b.1952)
Description:
Cottonwood Tree Root (1996) | Dimensions: 30”h x 12”w x 12”d
February is the Hopi lunar month of Powamuya in which one of the most important cultural events occurs, the sixteen-day Bean Dance Ceremonial. Kiva-germinated bean sprouts are distributed to villagers throughout by participating katsinam. And though the Ogre katsina threaten the children for misbehavior, they do so in a humorous way; gifts are also handed out to them.
This Bean Dance Katsina is an expressive representation of the activities and participants of this all important ceremony. It was exhibited by the artist, Wilmer Kaye, at the 1996 Santa Fe Indian Market and purchased by Eddie Basha for the collection at that time.
katsinaFebruary is the Hopi lunar month of Powamuya in which one of the most important cultural events occurs, the sixteen-day Bean Dance Ceremonial. Kiva-germinated bean sprouts are distributed to villagers throughout by participating katsinam. And though the Ogre katsina threaten the children for misbehavior, they do so in a humorous way; gifts are also handed out to them.
This Bean Dance Katsina is an expressive representation of the activities and participants of this all important ceremony. It was exhibited by the artist, Wilmer Kaye, at the 1996 Santa Fe Indian Market and purchased by Eddie Basha for the collection at that time.

Wilmer Kaye’s predilection for carving sculptural dolls rather than fully detailed ones is certainly revealed here. Standing 55” tall and carved from cottonwood root, this 1995 Santa Fe Indian Market awarding winner with thirty-nine katsinas is a harmonious dance of grace, elegance and sophistication. Katsinas appear to rise up from the kiva at the base and culminate with a Crow Mother, a figure of great dignity, and a Hemis Katsina, one of the most beautiful and best known of all Hopi katsinas, at its two peaks. And between there are Mudheads, Long Hairs, Hano Manas, and more.
At thirteen years old, Wilmer’s apprenticeship began while watching his uncle Willard Loloma and others carve. After high school, Willard worked construction while he perfected his craft. Nowadays, he’s up with the sun and frequently spends his entire day carving. We are quite certain Willard spent many days carving this masterpiece.
Salako & Crow Mother
Artist: Wilmer Kaye (b.1952)
Description:
Cottonwood Root (1995) | Dimensions: 54"h x 20"w x 17"d
Wilmer Kaye’s predilection for carving sculptural dolls rather than fully detailed ones is certainly revealed here. Standing 55” tall and carved from cottonwood root, this 1995 Santa Fe Indian Market awarding winner with thirty-nine katsinas is a harmonious dance of grace, elegance and sophistication. Katsinas appear to rise up from the kiva at the base and culminate with a Crow Mother, a figure of great dignity, and a Hemis Katsina, one of the most beautiful and best known of all Hopi katsinas, at its two peaks. And between there are Mudheads, Long Hairs, Hano Manas, and more.
At thirteen years old, Wilmer’s apprenticeship began while watching his uncle Willard Loloma and others carve. After high school, Willard worked construction while he perfected his craft. Nowadays, he’s up with the sun and frequently spends his entire day carving. We are quite certain Willard spent many days carving this masterpiece.
katsinaWilmer Kaye’s predilection for carving sculptural dolls rather than fully detailed ones is certainly revealed here. Standing 55” tall and carved from cottonwood root, this 1995 Santa Fe Indian Market awarding winner with thirty-nine katsinas is a harmonious dance of grace, elegance and sophistication. Katsinas appear to rise up from the kiva at the base and culminate with a Crow Mother, a figure of great dignity, and a Hemis Katsina, one of the most beautiful and best known of all Hopi katsinas, at its two peaks. And between there are Mudheads, Long Hairs, Hano Manas, and more.
At thirteen years old, Wilmer’s apprenticeship began while watching his uncle Willard Loloma and others carve. After high school, Willard worked construction while he perfected his craft. Nowadays, he’s up with the sun and frequently spends his entire day carving. We are quite certain Willard spent many days carving this masterpiece.